Collection 6 (October 2026) – BAFTSS and Beyond

- ‘Fragment’ – what you submit for inclusion in the journal via our online submission form
- ‘Collection’ – a regular editorial gathering and reflecting on the Fragments submitted.
Back in April we were very excited to take Fragments to the BAFTSS conference in Bournemouth. Our panel ‘Method, Messiness, and Meaning: Collecting the Fragments of Videographic Process’ was an opportunity for us to bring our young journal into the conference space and we were delighted at the response we got in the room. Cormac reflected on some of the inspirations behind Fragments’ conception, while Jemma’s presentation included thoughts on vulnerability and empathy, along with a short video that she hopes to share more widely in due course. We were very pleased to be joined by Alan O’Leary, who acted as a respondent to our panel. Alan has been kind enough to share his videographic presentation with us and you can view it here. We are very grateful to Alan for joining our panel, given how important his work has been in shaping some of the thinking that formed this journal.
And so to the interlude. Before the conference we (the editors) were keen to ensure our experimental videographic panel had some experimental videographic work to show. We have all, in various forms, enjoyed working with parameterised practice, whether undertaking the Video Essay Podcast exercises back in 2020 or more recently partaking in communal activities such as Ariel Avissar’s Parametric Summer Series (2024). In the spirit of these formative exercises we decided to launch our own ‘Playful Parameter’ and invite submissions which would then screen at BAFTSS. Our exercise, originated by Cormac, is called ‘Reels’ and the guidelines and a little more background on it can be found here. We got a great response to the call and are very pleased to present all the submissions in this collection.
Thanks again to all our contributors and to those who attended our BAFTSS panel – it was wonderful to connect with lots of fellow videographic practitioners in person. We hope you enjoy these Reels and stay tuned for more Fragments as we move into the autumn!
Barbara Zecchi
from Beltenebros (Miró , 1991)
00:00 (beginning of the 1st reel);
22:00 (beginning of the 2nd reel),
1:00:00 (beginning of the 3rd reel),
1:19:00(end of the 3rd reel);
1:20:00 (beginning of the 4th reel),
and 1:46:00 (end of the film —I left the credits out).
Joel Blackledge
Red Reels – from Red Rooms (Plante, 2023)
Using 18 minute reel lengths
Jessica Wax-Edwards
from Gattaca (Niccol, 1997)
Using 19 minute reel lengths
Lucy Fife Donaldson
from All the President’s Men (Pakula, 1976)
Using 19 minute reel lengths
Andrew Philip
Smile for Reel from Smile (Finn, 2002)
Using 18 minute reel lengths
Andrea Comiskey
Citizen Kane (Welles, 1941)
Using 18, 19 and 20 minute reel lengths
Andrea created 5 other Reels experiments which you can find here
Sarah Bell
From Beyond the Grave (Connor, 1974)
Using 21 minute reel lengths
Jemma Saunders
Almost Reel – from Almost Famous (Crowe, 2000)
Using 19 minute reel lengths
Cormac Donnelly
Ferris Bueller’s Day Off (Hughes, 1986)
Using 19 minute reel lengths
